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- <text id=94TT0705>
- <title>
- May 30, 1994: Music:The Band That Wouldn't Die
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- May 30, 1994 Jacqueline Bouvier Kennedy Onassis
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA: MUSIC, Page 61
- The Band that Wouldn't Die
- </hdr>
- <body>
- <p> Twenty years after its classic album and a decade since its
- leader left, Pink Floyd has a hit new record. It's terrible.
- </p>
- <p>By Guy Garcia
- </p>
- <p> Hearing the first few minutes of The Division Bell, the new
- album by Pink Floyd that stayed at No. 1 on the Billboard charts
- for four weeks, a listener has a distinct sense of deja vu.
- Mysterious rumbling noises on Cluster One, the first song, set
- a cosmic tone, and then comes What Do You Want from Me, with
- its languid beat and spare, spaced-out ambiance. It all seems
- reminiscent of the band's 1973 album Dark Side of the Moon,
- which sold more than 15 million copies and stayed on Billboard's
- Top 200 album chart for an astounding 15 years. Given that success,
- who wouldn't want to return to old habits? In its heavy, adolescent
- way, though, Dark Side of the Moon was a classic; The Division
- Bell is anything but.
- </p>
- <p> By the fourth number, an instrumental called Marooned, the record
- veers off into a morass of sustained piano chords, droning synthesizers
- and gimmicky sound effects. The aural tricks that seemed so
- daring on earlier Pink Floyd disks--running footsteps, echoing
- guitars--are now impossibly dated and predictable. Even worse
- are the lyrics, which rarely rise above the sentiments of a
- greeting card. "Her love rains down on me easy as the breeze,"
- guitarist David Gilmour sings on Take It Back. "I listen to
- her breathing it sounds like the waves on the sea." Only Keep
- Talking, propelled by interlocking guitars, manages to rise
- above the muck.
- </p>
- <p> The album's title refers to a British parliamentary procedure
- that divides the House of Commons into two opposing camps and
- also alludes to the rift between Gilmour and bassist Roger Waters,
- who left Pink Floyd in 1984. It was Waters who in the early
- 1970s masterminded the band's transformation from an acid-rock
- act into a sleek, shadowy outfit that used high-tech wizardry
- and mordant humor to skewer greedy capitalists, warmongering
- generals and--most evil of all--nasty headmasters. With
- Waters as its leader, Pink Floyd became famous for its surrealistic,
- multimedia concerts, culminating with the tour for the band's
- 1980 album The Wall. Those shows were extravaganzas that ended
- with a 30-ft.-tall wall of ersatz bricks crashing down on the
- stage.
- </p>
- <p> Four years later, Waters' decision to leave Pink Floyd triggered
- a battle over the legal rights to the group's name. Waters lost,
- and Gilmour, keyboardist Rick Wright and drummer Nick Mason
- carried on as Pink Floyd and released 1987's A Momentary Lapse
- of Reason, an album that managed to rehash the group's trademark
- sound. Waters, who feels betrayed by his old mates, still holds
- a grudge. Gilmour is more conciliatory. A sense of wounded wistfulness
- crops up repeatedly in The Division Bell. "So I open my door
- to my enemies," Gilmour laments on Lost for Words. "And I ask
- could we wipe the slate clean/ But they tell me to please go
- f---myself/ You know you just can't win."
- </p>
- <p> Of course, even without Waters, the current album is selling
- well, and fans have bought more than 3 million tickets for Pink
- Floyd's current U.S. tour. The 16-year-olds at those concerts--eager like so many 16-year-olds before them to hear such
- alienated anthems as Money and Another Brick in the Wall--may be too young to notice or care about Waters' absence. In
- pop music, inertia and a name can carry you a long way; with
- The Division Bell, Pink Floyd is trying to discover just how
- far.
- </p>
- </body>
- </article>
- </text>
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